It is a coming and going across disciplines, methods and processes that concern all in the work of Jimmy Watt. It asque when viewing one of his plastics, you think of their sounds, Buchler, or when you appreciate their work digitized graphical and sonic ideas are remembered and plastic or end when you hear one of his hypnotic and chaotic white acoustical sessions is when the avalanche of images comes into our head. Sometimes pigment and matter, other Pxel and other Bit. These are the resources that go to tackle the sereales ideas of contemporary 50sy (Henry, Stockhaussen, Subotnik, Risset ...) and allegories on the total suspension Audio The Void snice ter-visual and travel light and securities transmutacin matric-(A)-temporary. Today on board the White Pavilion l called on the current minimalist trend (Nicolai, Opal, Pansonic, Merzbow ...) is currently the task of converting their Acts samples Situational: BIT + FIELD + PXEL, where a single act is treated by various sources of truth and expiation realities.